In the past five months, we’ve packed up and moved on many times. But leaving The Farm was the hardest good-bye of them all. “You will cry, Uncle,” many of the Older Girls said before our departure date and I suspected they were probably right. It had only been three weeks for Jackson and me but I knew these kids would not be letting go of our hands or our hearts easily.
To wrap things up, Jackson and I threw a couple of parties. For the Small Boys we decided on a “Lord of The Rings” movie night. (LOTR was their choice.) I really wanted to take them all to an actual theatre; they’d never been and that nearly qualifies as child cruelty in my book. Ironically, they’d seen movie theatres only in movies but they didn’t really grasp the scope of the experience. “Picture a 60 foot screen,” I said. “As large as that tree. With speakers all round. And the action so big and loud you feel like you’re really there.” The Small Boys were spell bound by this description. “So nice, it sounds,” Clifford said. But it was not to be. The closest proper theatre that did not feature X-rated films was over three hours away—so their cramped TV room would have to do.

As far as viewing experiences go, it was not ideal. The ceiling fans drowned out most of the softer audio, the room was hot, we had to ration popcorn and soda when many of the Older Boys turned up…but none of that mattered at all. The Small Boys loved it like Christmas morning and talked about it for days. Amazing what five dollars of snacks and four hours of time can be worth.
For the girls, we went back and forth. Initially, Jackson wanted to take them for an overnight in the jungle. She even offered to use most of her birthday money to cater the adventure. “They work hard everyday,” she said. “They deserve a night off.” But when heavy rains turned the jungle trail to mud and made the river all but impassable, we needed a Plan B.
So one evening, I was sitting in the courtyard, talking with the Older Girls when I found three wrapped candies in my pocket. The kids call them “sweeties”—not to be confused with the man-eating monkey in Costa Rica by the same name. A bag of 120 sweeties sells for one dollar in Katima so we bought a bag to hand out. (Call me crazy but the opportunity to create a moment of pure delight by slipping one of these less-than-a-cent toffees into a small, unsuspecting hand is a pleasure I just never get tired of.) Anyway, I’m sitting with the Older Girls, find the candies, pull them out and hold them up.
“Anybody want a Sweetie?” I ask. And everyone does. But who to choose?
“Let’s have a contest,” one of the girls suggests. “The best song wins.”
There were no amazing performances that day. April sang two gruff lines of a Hindi song then said, “Now give me the Sweetie!” and tried to wrench one from my clenched hand. Shirley, a typically reserved girl, stood up and proclaimed that she would be singing “in anger”, then proceeded to belt out some Bollywood tune as if she were shouting it at her worst enemy. The girls laughed hysterically at all of this, cheering when a winner was selected, enjoying even the worst, most embarrassed attempts. In fact, they were so alive, so eager to play that it gave Jackson and me the idea we were looking for.
We decided to hold the first ever Strong Farm Talent Show and the girls were instantly on board. A sign-up sheet went up the next day and, in no time, 18 acts stepped forward; all singers or dancers, all girls. I was hoping to get the boys involved but the laws of Indian decency would not allow it. Besides: “Boys will just tease and make fun,” one of the participants said. “Only girls is better. Plus Uncle.”
As for talent show prizes, Jackson and I and Kim (a sweet 24 year old volunteer from New Zealand) walked into Banbassa one afternoon armed with around twenty dollars. Like Paris Hiltons-in-training, we bought rings and bracelets, ear rings, hair bands, nail polish, make up and anything else that caught our eyes. Jackson was mostly in charge of this operation. “Oh, these are so pretty,” she said at one point. “Can I have one for myself?” I said that she could. At 47 cents, the flashy silver anklet in question seemed like a decent bargain even to stingy old me.
When all the prizes were set, we then loaded up on drinks and popcorn and cookies for the big night. Our goal was not to skimp. We wanted the girls to pig out if they felt like it. Not a handful of popcorn each. We wanted bucket loads and left overs. Perhaps it is my abundant American mind set, but I thought, to an orphan, the gift of “too much” might feel as wonderful as the gift itself. Plus I think it all cost like five bucks.
The day of the talent show, I was asked one question over and over again. “What are you going to sing, Uncle?” When I signed up to do a song, I just wrote “Surprise” as the song title, mostly because I couldn’t decide what to play. I wanted something that spoke to these girls, something that said a little bit of what I felt for them. But by noon of the big day, I still didn’t know.
As show time approached, I was amazed at how much work the girls had done on their own. They created a talent show banner to hang behind the stage, they rigged up a curtain to frame the action, they organized all the music and pulled together all the equipment to play cassettes and CDs and whatever else we needed. Food was ready. Programs were printed. Jackson, Kim and Clifton’s wife Priscilla were the judges...

...I was the host, and every girl on the Farm, young and old, was ready for the show to start.
What can I tell you? It was a hit. Amanda did an ultra sexy dance to “Sexy Lady on the Dance Floor” and everybody cheered. Then Hope and Usha did an ultra conservative and simple pom pom dance and everybody cheered just as loud. Gladys screeched a mercifully brief acapella tune that didn’t win a prize but did scare away all the stray dogs for ten kilometers. (And everybody cheered.) And Iris dressed up like a man and rocked out a hilarious number that had Jackson and all the girls buckled over with laughter.

When my turn in the program came up, I strapped on Clifton’s guitar and played an original song called: “I Want To Thank You”. I wrote it fast that afternoon and it is without a doubt the most unapologetically sentimental song I have ever written. No subtly here, no hidden meanings. I just wrote how I felt and trusted the girls not to wince. They didn’t.
…I want to thank you
for holding my hand
All of your laughing smiling eyes
Make me a happy man.
And I want to thank you
For all that you do.
Just like my daughters across the water
That’s how I’ll think of you…The song went on and on, verse after simple verse, and the girls absolutely loved it. Especially the part where I sang to each one of them, thanking all 52 Farm girls by name in a long musical list. Jackson held my papers, I tried not to stumble over the long Reena-Meena-Sabrina-Corrina-Seema tongue twister...and when the final name was sung and the chorus kicked in again, the explosion of applause that filled the room was a sound that I and the girls (and probably the surrounding villages) will never ever forget. It was beautiful.
We’re in Rishikesh now, ten hours North West of Banbassa. Rishikesh is a wild Hindu city on the Ganges river, crowded with beggars posing as holy men...

...holy men posing as beggars, small girls dressed as brides maids, old women in colorful saris, lecherous men who ogle Jackson everywhere she goes, honking motorcycles, blasé monkeys...

...road blocks of cows, cow poop everywhere and a zillion billion flies on everything. It is both a spiritual place and a nasty place; heaven and hell all rolled into one.

Traca and Logan finished up their 12-day yoga course and by all accounts, they enjoyed it—though Traca would enjoy 12 days locked in a root cellar if she could do yoga, so that’s no surprise. But Logan stuck it out as well, the youngest by a decade or more, running through the cow patties during his free time, making the most of this unique opportunity. We’re here for one more day before heading up into the Himalayas but honestly, my heart is still back on the Farm.
The day we left, the goodbye we received was nothing short of overwhelming. The kids made stacks of cards for Jack and me, the Older Girls sang “Our Golden Days Are At An End”, many of them openly weeping as they did.

I was holding up pretty well, just floating along on a river of love and good wishes—until I saw Job.
He didn’t say anything. He just walked through the crowd and handed me a card. “You OK?” I asked and knelt down to his level. But he didn’t answer. He just hugged me with all the tenderness in his young body. I could feel him sobbing against me and I started crying right along with him; this boy who I have known for only three weeks; this boy who I may never see again. “Just so you know,” Clifton told me later, “Job doesn’t do this with everyone. So feel special.” And I did. I really did.
I’m including Job’s note here not for what it says about me or him but for what it says about the power we all have to affect the lives of others, just by reaching out, just by showing up. It doesn’t have to cost much or take much time. All it takes is a willingness to give. It’s almost selfish, really. For if I have touched Job’s life, he has most certainly touched mine. And that—we have learned—is both the beauty and the reward that all giving holds.
Dear Uncle John
May God bleass you. I will miss you very much. Pleas come back. Thank you for everything you have gived us. Thank you very very much for coming hear. I will awals rember you. God sent a gift for me and you are the gift. Thank you.
Love from Job